Oh look. I got distracted. I PROMISE MORE NIGHTMARES SOON. But I needed something a bit more light-hearted. This is part one of two...possibly three, but I only have two planned. We'll see what happens. I blame this totally on my love of classic rock and a WONDERFUL find I made today that put a scene into my head that was just too damn perfect not to write. Also, I blame Heavy, because the man is always singing. Anyways, here. Read. I hope it doesn't suck! ~~Part 1~~ Man cannot live by violence alone; not healthily. The RED and BLU teams fought battle after bloody battle, and even the threat of death was not enough to keep it from getting stale. Not with Respawn there to catch them when they fell. It began to get harder and harder to dredge up the desire to keep fighting. Despite the danger of burnout, RED and BLU liked it this way. They liked to keep their pet mercenaries in their own little worlds, in their own little cages, away from what was happening in the rest of the world. Because the rest of the world was falling apart. The year was 1968. The United States was at war on two fronts now. The communist government in North Korea had taken the crew of the errant USS Pueblo as hostages. This came as a shock to nobody, but the rage and helplessness fueled the fires that were burning inside the American people. The Korean War was supposed to be done. Over. But the communist North Korea still delighted in sticking a knife in democratic America’s back whenever it had the opportunity. Vietnam had turned from a confident, easy campaign into a nightmarish bloodbath. The government couldn’t keep the pictures and the video under wraps and off the television; the media made sure that everyone knew just how many soldiers were dying per week. Soldiers that were there, for the most part, against their will. As more and more draftees were called up to replace the newly dead, the horrors only grew. The youth of the United States was in full revolt; those of age were burning their draft cards and dropping out of high school, disappearing from their homes to live like gypsies with groups of like-minded kids. Massive protests blocked city streets; anti-war rallies that ended in tear gas and fire-hoses, if not bullets. The peaceful Civil Rights demonstrations led by the late Dr. King had ended with his assassination in April, only to pick up much more violently and angrily. Millions cried when the second Kennedy brother, Robert, was shot; destroying the hopes of the many who had campaigned to get him into the Presidential race. And things were not much better overseas. RED and BLU were even more careful where their foreign agents were concerned; it would not do to let team mechanics and strategies be affected by the goings on of the outside world. The Soviet Union had invaded and annexed Czechoslovakia, and their oppressive new regime there was already stained with blood. France was folding in on itself; her people fighting like trapped animals against their government and its police. Revolution seemed imminent. Germany was still, twenty years later, making amends for World War II; still holding trials for men accused of being Nazis, accused of war crimes. Old men now, many of them, who some cried should be allowed to live the rest of their lives in peace. With all of the protests and revolts going on in the world, RED and BLU did not want their teams getting any ideas. They determinedly kept them cut off from the world. They existed only in the little worlds that the companies had built for them, and sometimes the tiny towns beyond, backwards hick places where nobody talked of war or politics. Incoming mail was steamed open and read. Outgoing mail, if there was any, got the same treatment. The companies took no chances. But the isolation ended the day that the RED Engineer let out a triumphant yell from his workshop, throwing all of his considerable attention at his newest victory. It was a radio he’d scavenged from town and repaired to be like new. He’d modified an antennae, and then re-modified it, and then amplified it…and finally, finally it had struck signal and come to life. It wasn’t ideal. There were only four stations, and none of them were news, none of them were sports. Soldier was angry about the former, Scout about the latter. But what they found they now had in abundance… was music. New music. Not Soldier’s old Elvis records, not Demoman’s bagpipe recordings; and certainly nothing like Medic’s German operas or Heavy’s Russian composers. They weren’t totally behind the times… they hadn’t been fighting this pointless war for THAT long. Everyone knew who the Beatles were. The Supremes. Johnny Cash. But the familiar sounds of voices, and the exhilarating experience of hearing a favorite band singing something new, it began breathing life back into a team that had been slowly losing it. The first thing Engineer did was figure out how to rig up the radio in their small common area. Hardly anyone used it anymore, aside from the odd movie night, or Heavy and Medic having one of their three-hour long chess matches. But with the radio there, they all began to come together again. Scout played air guitar on his bat to the Rolling Stones, trying to pout his lips like Mick Jagger. Sniper listened with rapture to powerhouse singers like Janis Joplin and Grace Slick, getting into fights with Soldier over his “hippie-funk-noiseâ€. Demoman’s drinking even started to take on a less self-destructive edge, and he would change the station sometimes to listen to Otis Redding and Smoky Robinson. Pyro became very fond of The Doors, and when “Light My Fire†came on, nobody was allowed to talk if Pyro was in the room. Eventually everyone had a song they’d heard and craved to hear again. Soldier began to do horrible Elvis impressions on the battlefield after a particularly impressive and successful maneuver. Pyro would sing loudly behind his mask, but was so terribly tone-deaf that nobody knew what it was, even by melody. Engineer’s wordless guitar ramblings had been replaced with purposeful playing as he picked out melodies by ear, adding harmonies with a voice that was surprisingly good. Heavy had always sung both on and off the battlefield; his big voice booming equally loud from the showers or over the spin of his minigun. The entire team was used to hearing classical Russian symphonies belted out in a voice like gargled gravel, but nothing could have prepared them for the first time Heavy sang from the radio. On the battlefield, Ubercharged with grenades and bullets exploding all around him, Heavy started to sing the Beatles. “HEY JUDE,â€came the bass roar. “DON’T BE AFRAID. I AM SIMPLY~~~ GOING TO KILL YOU~~†the snippet of song degenerated into thunderous laughter, and the REDs close by were powerless against their own. Not even Medic was immune. No, oddly enough, Medic seemed to be one of the most affected. While he eschewed Sniper’s psychedelic rock, and wrinkled his nose at anything with too much electric guitar, he could often be heard humming to himself in the shower, in the halls, at dinner, even on the battlefield. He seemed to share many of Heavy’s tastes, which surprised exactly nobody, and in Medic, Pyro found a fellow fan of Jim Morrison’s voice, if not some of his songs. It was somewhat of a relief to the team, actually, to have Medic back amongst them. During the last few months, he’d shut himself in the infirmary, blasting Wagner on Heavy’s record player, and nobody had known what he was on about. Now, of course, they knew. He’d been inventing the Ubercharge, having a stroke of genius that he just wouldn’t allow others to interrupt. But even after the new procedure’s spectacular debut, Medic had stayed somewhat aloof. Now, more often than not, he was in the common room with the radio on, playing either chess or a complicated looking Russian card game that Heavy called Eralash and offered to teach to anyone who asked. Heavy had never quite seemed to sink in on himself like so many of the others on the RED team had before the radio came along. But with Medic smiling more and even laughing now, his relief was ill-hidden. All in all, the team felt better than they had in a long time, and it showed on the battlefield. They massacred the BLUs, who comparatively seemed drawn and haggard. Engineer had commented that it was almost enough to make a man feel sorry for his enemy. Almost. Right now, victory tasted too sweet.
Oh I like this fic. Is it a one-shot or not ? It is true how music is food for the soul. It's a special brand of art.
I really enjoyed this. (I'm a bit of a classic rock nerd myself, so... I think I have at least something by all the artists name-dropped, as well as the songs you mentioned by title, actually...) (When I typed that, I meant the classic rock, but upon reflection, I've also got Wagner and Rimsky-Korsakov...)
This concept is silly and uncharacteristic and no amount of decent writing is going to get around that. If the year is 1968 they've been fighting, outside of American culture, for somewhere between 10-20 years. This is pretty ridiculous even by TF2 standards, and the fic presupposes this as if it's not weird at all. It's obvious that this fic was written just to talk about music, and, even though it mentions real history, ignores what would ACTUALLY be happening with the TF2 cast. Also, 1968 is obviously just used as Hey Jude's release date, because any other consequence of it is just stupid. After over a decade (or two) of fighting, acting silly on the battlefield to music they just heard is probably one of the last things they would care about. In all, what you tried to make imaginative and different just comes off as short-sighted and self-fulfilling. Try again.
I thought it was an interesting take on how micspam might have evolved in-universe for our favorite death-tag playing sociopaths. However, I kind of wish you went with some non-cliche musical taste choices, but that's mostly personal opinion. I also wish you did less name-dropping and more describing. While it can be reasonably expected that an average reader would know who you're talking about, just rattling off which artists and genres each class likes comes off as rather impersonal. By delving into more details, you can give us a deeper glimpse into the characters as well.
>>2 Glad you liked!! There's at least one more part I mean to write, so hopefully I'll have that up soon. >>3 Classic rock nerds unite! Can't help it, I grew up on the stuff. Everyone else my age was listening to like, bad 80s pop, and my dad was sure to raise me on Beatles and Dylan and Led Zep and others of the like. The songs mentioned by title were there for a reason; I googled the top 100 of 1968 and took picks out of there for who I thought which teammate would like. Some matched better than others, I suppose, but eh, hindsight. >>4 Sorry you didn't like? I was under the impression that TF2 was based in the 1960s. That's what everything I've seen or read has said. If that's wrong, then whoops, my bad. 1968 was actually the year I'd seen TF2 fics set in the most, and that was what got part of the idea stuck in my head. Yes, in part this fic is written to purely talk about music. There's no DEEP MEANING involved or anything like that. I read a few stories set in 1968, the wiki said "set in the late 1960s", and I went "hmm." It wasn't just to fit around "Hey Jude". I googled the Billboard Top 100 for 1968, and pulled from there. Sorry it missed the mark for you. >>5 Hey, personal opinions being what they are, there are some others I'd love to have included. But like I've said previously, what I did use was pulled from the Billboard Top 100 for 1968. After I googled that, I tried to find fits for each character. For example, I thought that the Rolling Stones' edgy, showy style and unique sound suited Scout. I could see him air-guitaring and trying to dance like Jagger in my head. Again, some fit better than others, and I realize that. It's also a YMMV, situation, but oh well. Oh, and I do admit that Pyro's love of The Doors and "Light My Fire" was pretty much just for the lulz. Still works for me though. Well, as far as the name-dropping goes, like I said in a previous reply, part of this fic really was to just talk about music and history happening in that year, I'll be honest. There is a part 2 planned to this, but I didn't want it to become a monster, hence not going hugely in-depth with why each class liked what genre I picked out. But ah well, hindsight. And I will remember your crits in the future. Thanks for reading, darlin'.
Dear Drillbot, Do you like ANYTHING? Anything at all? It's possible to provide criticism without being nasty. This isn't the first comment I've read from you that comes across as a little mean. Please try to be more polite or just don't read.
>>4 Upon researching my research, I did find that I was correct. The official timeline on the wiki lists the summer of 1968 as the setting of the game based on official info and a calendar seen in-game. I do not know where your information came from, but I am inclined to trust mine. >>7 I would hug you if it wouldnt look underaged. ;) Did you like the story?